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INCOMING SENIORS - |
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June 2008 Dear Soon-to-be-Senior, We hope that you have a wonderful summer – one that offers you new adventures and refreshes you for another year of academic study. We are looking forward to instructing you in AP English class and preparing you for the exam in Literature and Composition. During the year we will dive into the study of literature, concentrating on literary analysis. We will read, discuss and write in response to literature from various time periods, from various cultural groups and voices, and written in a variety of literary styles. To prepare for our literary journey, we are asking you to read over the summer at least two novels. Specifically, you will be required to read Great Expectations, by Charles Dickens, and The Color Purple, by Alice Walker. Great Expectations, written by a British author in the nineteenth century, is quite long and presents a lengthy cast of characters to the reader. It is very good but does require time and attention to be appreciated and enjoyed. Be sure to allow yourself enough time to read this novel. Make sure to read an UNABRIDGED copy of this novel. The Color Purple, written by an African-American author in the twentieth century, is shorter and stylistically more modern. The novel is very graphic, raw and requires your ability to handle controversial material in a mature fashion. We expect you to arrive on the first day of class having completed two tasks: 1. As you read each novel, use Post–its to respond to, and to reflect upon, the experience of reading the novels – your emotional, cognitive and aesthetic responses. Mark memorable passages; places where you felt confused; places where you have questions; and so on. Mark passages containing interesting examples of “diction, syntax and imagery” and passages you simply find “well written.” The passages you mark, and whatever notes you choose to make, will help you participate actively in the class discussions on the two novels – which will be one of our “great expectations” for the first few weeks of school. 2. Write a personal essay (“I” voice) in which you discuss what sense you make of each work and of the two works together. More specifically, in response to your reading, answer the following questions: What meaning, or meanings, came across most clearly to you as a reader (and person)? How did the writing style of each author contribute to, detract from, and/or otherwise affect, your understanding of the meaning(s) of the books? What connection(s) and/or differences did you find between the novels? In your essay, use textual references to support your points. Note: Answers to these questions – hence, the content of your essays – will vary greatly. Be honest in conveying your personal experience reading the books; each of you is a different person and should have an individual response. Feel free to say what you honestly think; we do not expect you to praise each novel. We certainly do not want you to deliver “SparkNotes responses” – or any other manufactured responses; we want you to express your authentic readings of the novels. Having said that, comments like, “the book was really long,” while perhaps being an honest response, does not usually lead to a discussion or uncovering of a novel’s rich complexity. As you revise your paper, make sure that your essay is focused (you might want to begin with an introduction containing a standard thesis, but you don’t necessarily need to use standard essay format, provided that your discussion is otherwise cohesive and focused); ask yourself if you have conveyed your understanding of the two novels by making frequent references to details from the text – details that you as a reader noticed (which, we hope and assume, will be different from what other readers will notice); vary your sentence structure to create flow; and choose words carefully to create vivid and active language. Please limit your personal essay to 3 - 5 pages (typed, double-spaced, 12-point font, 1” margins, MLA format). Give your essay a title that reflects and/or emphasizes the paper’s content. We encourage you to buy your own copies so that you may highlight and mark the texts as you wish. Don’t forget that you will need an UNABRIDGED copy of Great Expectations. Enjoy your vacation! Sincerely, Ms. Drahouzal, Mr. Cohen, and Mr. Flood Basic MLA Paper Format http://owl.english.purdue.edu/owl/resource/557/01/ General Guidelines
Formatting the first page of your paper
Center your title on the line below the header with your name, and begin your paper immediately below the title. |
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IF YOU ARE IN - |
| (Please note: Students
registered for Advanced Placement English Honors will be given a
specific reading/writing assignment. Please be sure you have received
that assignment.) Please choose one of the books from this list as your summer reading book. As you read, use Post-it notes to jot down ideas or questions, and to mark passages you think are interesting or significant. When you return to school in September, your teacher will use this book as the subject for the first assignment(s) of the year. Choose a book that you would enjoy reading – maybe one that you’ve heard about all through high school but have missed so far. You can pick up a copy of your book from any of the area libraries, or if you want a personal copy, purchase it from a local bookstore or a website like amazon.com or bn.com (Barnes & Noble). Allende, Isabel - House of the Spirits; Paula Atkinson, Kate - Case Histories: A Novel Atwood, Margaret - Surfacing; Cat’s Eye; The Handmaid’s Tale Austen, Jane - Pride and Prejudice; Emma Bradbury, Ray - Fahrenheit 451 Bronte, Charlotte - Jane Eyre Bronte, Emily - Wuthering Heights Burdick, Eugene - Fail Safe Burgess, Anthony - A Clockwork Orange Burroughs, Augusten - Running with Scissors; Dry, A Memoir Camus, Albert - The Stranger Capote, Truman - In Cold Blood Carver, Raymond - Will You Please Be Quiet, Please?; Cathedral; - What We Talk About When We Talk About Love (short stories) Chevalier, Tracy - The Girl with the Pearl Earring; The Virgin Blue Chute, Carolyn - The Beans of Egypt, Maine: The Finished Version Colas, Emily - Just Checking (non-fiction) Conroy, Pat - The Great Santini; My Losing Season; The Water is Wide Dorris, Michael - Yellow Raft in Blue Water Eggers, Dave - A Heartbreaking Work of Staggering Genius (non-fiction) Ehrenreich, Barbara - For Her Own Good (non-fiction); Nickel and Dimed (non-fiction) Franzen, Jonathan - How to be Alone (non-fiction) Frazier, Ian - Family; On the Rez (non-fiction) Frey, James - A Million Little Pieces (non-fiction) Gaines, Ernest J. - A Lesson Before Dying : A Novel Garcia-Marquez, Gabriel - 100 Years of Solitude Gibbons, Kaye - Ellen Foster Griffin, John Howard - Black Like Me (non-fiction) Guest, Judith - Ordinary People Haddon, Marc - The Curious Incident of the Dog in the Night-Time Hardy, Thomas - Tess of the D’Urbervilles; Return of the Native Heller, Joseph - Catch-22: A Novel Hemingway, Ernest - Farewell to Arms; For Whom the Bell Tolls Huxley, Aldous - Brave New World Irving, John - The World According to Garp; The Hotel New Hampshire; The Cider House Rules Jackson, Shirley - The Lottery and Other Stories (short stories) Joyce, James - Portrait of the Artist as a Young Man; Dubliners (short stories) Karr, Mary - The Liar’s Club Kaysen, Susanna - Girl, Interrupted Kidd, Sue Monk - The Secret Life of Bees King, Stephen - The Shining Kingsolver, Barbara - Pigs in Heaven; Animal Dreams; The Bean Trees Kingston, Maxine Hong - The Woman Warrior Krakauer, Jon - Into Thin Air (non-fiction) Lahiri, Jumpha - The Interpreter of Maladies; The Namesake Lamb, Wally - She’s Come Undone; I Know This Much is True Lewis, C.S. - The Screwtape Letters Martel, Yann - The Life of Pi McBride, James - The Color of Water McCourt, Frank - Angela’s Ashes; Tis: A Memoir, Frank McCourt Moehringer, J.R. - The Tender Bar: A Memoir Myers, Walter - Dean Bad Boy: A Memoir Norris, Kathleen - The Cloister Walk (non-fiction) O’Connor, Flannery - A Good Man Is Hard to Find and Other Stories Orwell, George - 1984; Down and Out in Paris and London Picoult, Jodi - My Sister’s Keeper: A Novel Quindlen, Anna - One True Thing; Object Lessons Sebold, Alice - The Lovely Bones; Lucky: A Memoir Sedaris, David - Me Talk Pretty One Day; Naked (non-fiction) Steinbeck, John - Grapes of Wrath; Of Mice and Men Tan, Amy - The Bone-Setter’s Daughter Tyler, Anne - Dinner at the Homesick Restaurant; The Accidental Tourist Vreeland, Susan - The Girl in Hyacinth Blue Vonnegut, Kurt - Breakfast of Champions Walls, Jeannette - The Glass Castle (non-fiction) Walker, Alice - The Bluest Eye; The Color Purple Weber, Katharine - The Music Lesson Wells, Rebecca - Little Altars Everywhere; The Divine Secrets of the Ya-Ya Sisterhood Welty, Eudora - One Writer’s Beginnings; The Collected Stories of Eudora Welty Wolff, Geoffrey - Duke of Deception (non-fiction) Wolff, Tobias - This Boy’s Life (non-fiction) |
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IF YOU ARE IN - |
| Please Note: Students
registered for Advanced Placement English Literature and Composition
Honors will be given a specific reading/writing assignment. Please be
sure you have received that assignment if you are registered in Advanced
Placement English Honors. Over the summer you will view one Shakespeare film on video, and read one modern drama. Pick up a copy of the video and the play from any of the area libraries, or if you want personal copies, purchase them from an area bookstore. You could also rent the video from any video store. Choose your video and play wisely – shop around. Shakespeare’s works on film are numerous, and all of the modern plays listed below are of recognized dramatic merit. However, they differ greatly in terms of style and content. Many contain material that requires a mature sophisticated reader – namely you. I. View A Shakespeare Film Choose a film version of Shakespeare available on video and watch it. Early in September you will be asked to write intelligently about the film. There are both new and old versions of many of Shakespeare’s plays available on film. My suggestion is to try to watch one with which you are not familiar. Most of the newer film versions make a conscious attempt to make the play accessible to a modern viewing audience; however, many of the older films offer a glimpse into acting styles and interpretations that are very insightful and helpful. Olivier’s Hamlet, for example, won several Academy Awards even though it was filmed in black and white back in 1946. Don’t forget foreign films either. Kurosawa’s version of Macbeth, called Throne of Blood, is my favorite Shakespeare on film. Here is a list you might find helpful. Newer films: The Merchant of Venice A Midsummer Night’ Dream Hamlet (Branaugh) Henry V (Branaugh) Much Ado About Nothing Romeo and Juliet (DiCaprio) Othello (Fishburne) Twelfth Night Richard III Hamlet (Hawke) Older films: A Midsummer Night’s Dream (1935 –James Cagny) Hamlet (1990 –Gibson) (1969 – Williamson) (1946 –Olivier) Henry V (Olivier) The Taming of the Shrew (1967 – Burton) Julius Caesar (1953 – Brando) (continued on the other side) Romeo and Juliet (1968 – Zeffirelli) (1937 – Howard) Macbeth (1971 – Polanski) (Welles) King Lear (Brooks) (1984 Olivier) (Welles) As you Like It (Olivier) Othello (Olivier) The Merchant of Venice The Tempest II. Read a Modern Drama Basically, any drama written from about 1850 to the present comes under the rather broad designation of modern drama. Modern drama includes both realistic and nonrealistic plays. Choose one of the plays from the following list, read it carefully and be prepared to discuss and write intelligently about it early in the fall semester. I’ve listed the plays in no particular order, by the author. Henrik Ibsen – Peer Gynt, The Wild Duck, and Hedda Gabler. August Srindberg – Miss Julie. Nikolai Gogol – The Inspector General. Antov Chekhov – Uncle Vanya, The Three Sisters, and The Cherry Orchard. Maxim Gorki – The Lower Depths. Bertolt Brecht – The Threepenny Opera, and The Caucasian Chalk Circle. Jean Cocteau – The Infernal Machine. Michel de Ghelderode – Pantagleize. Jean Anouil – Thieves’ Carnival. Luigi Pirandello – Six Characters in Search of an Author. George Bernard Shaw – Arms and the Man, Major Barbara, and Caesar and Cleopatra. John Millington Synge – The Playboy of the Western World. Sean O’Casey – Juno and the Paycock. John Osborne – Look Back in Anger. Eugene O’Neill – The Iceman Cometh, and Long Day’s Journey into Night. Elmer Rice – The Adding Machine. Maxwell Anderson – Winterset. Clifford Odets – Awake and Sing, and The Country Girl. Lillian Hellman – The Little Foxes. William Saroyan – The Time of Your Life. Thornton Wilder – Our Town, and The Skin of Our Teeth. Arthur Miller – Death of a Salesman. Tennessee Williams – The Glass Menagerie, and The Night of the Iguana. Carson McCullers – The Member of the Wedding. Edward Albee – The Zoo Story, and A Delicate Balance. Arthur Kopit – Oh Dad, Poor Dad, Mamma’s Hung You in the Closet, and I’m Feellin’ so Sad. David Mamet – Glenn Gary Glenn Ross, Oleana Sam Shepard – Curse of the Starving Class, and Buried Child |